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Post Captain

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Today's piece is the second Aubrey-Maturin novel, Post Captain, in which nothing goes right for poor Jack.  He's even saddled with a sliding-keel monstrosity called the Polychrest, which I did my best to capture based on the plans of a similarly keeled ship, the Dart.  


The ship at the top is the HMS Polychrest, modeled after the HMS dart, about to attack a French port.
SOLD!   The original art for this (and all my stuff) is available.  It's black and white, 11x17, and runs $125.  First come, first serve.  If interested, shoot me an e-mail at chris@curiousoldlibrary.com.


HMS Surprise

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Today's piece is the third Aubrey-Maturin book, HMS Surprise.



"The weather had freshened almost to coldness, for the wind was coming more easterly, from the chilly currents between Tristan and the Cape; the sloth was amazed by the change; it shunned the deck and spent its time below. Jack was in his cabin, pricking the chart with less satisfaction than he could have wished: progress, slow, serious trouble with the mainmast-- unaccountable headwinds by night-- and sipping a glass of grog; Stephen was in the mizentop, teaching Bonden to write and scanning the sea for his first albatross. The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and "concern. 'Try a piece of this, old cock,' he said, dipping his cake in the grog and proffering the sop. 'It might put a little heart into you.' The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again.

Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness.

'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep.

Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth."


SOLD! The original art for this (and all my stuff) is available.  It's black and white, 11x17, and runs $125.  First come, first serve.  If interested, shoot me an e-mail at chris@curiousoldlibrary.com.

Wild West Avengers

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If you give me a franchise and tell me to pitch something for it, 9 times out of 10 my first instinct is gonna be to make it into a western.



The original art for this (and all my stuff) is available.  It's black and white, 11x17, and runs $125.  First come, first serve.  If interested, shoot me an e-mail at chris@curiousoldlibrary.com.

Mini-Comics (and small press) Assembly Guide

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I was cleaning out my filing cabinet and found this handout I made for my mini-comics class.  Hope you find it helpful!






Innsmouth postcard

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It's tough to say which Lovecraft story is my favorite (there are a lot that I DON'T like, but the ones I like I REALLY like), "Call of Cthulhu" or "Shadow Over Innsmouth."  Probably Cthulhu, because it's so pulpy and has so many different locales, but Innsmouth is like the creepiest place ever written.  Anyway, here's a postcard I picked up at its chain grocery.  The clerk can't wait to be transferred.  

In the image one can see the grocery store, the esoteric order of dagon, the marsh gold refinery, old Zadok Allen, the church basement, bus driver Joe Sergant, and the Gilman House.  Shadow Over Innsmouth ties with The Call of Cthukhu as my favorite Lovecraftian story.


Anyway, I'll have prints and postcards of this at DragonCon.  I'll be in the comic artists section, and I'll have a mustache.  

If you can't make it to DragonCon, I've put this up as a print on Redbubble, so you can get postcards and the like via the mail

In the Mouth of Madness

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I'll be off the internet to some degree for the next couple of days while at a convention, but in the meantime, here's a poster for one of my favorite horror movies, In the Mouth of Madness. 



 It's not a great movie, like some of Carpenter's other work.  Really, it's not even a good movie.  But there's something about it that, however many times I see it, just creeps me out SO much.  I usually watch it in early September to kick off the Halloween season.  Halloween is, without doubt, my favorite holiday (not that I don't love Christmas), and I tend to read and watch nothing but spooky stuff for two months.  For that reason, I generally refuse to see horror movies or read horror novels or stories during the rest of the year, so that I can build up a reservoir.

Character-a-Day: Easy Rawlins

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Today's character is Easy Rawlins, hero of his eponymous mystery novel series by Walter Mosley.  I've only read the first two, but I really enjoyed them (discovered them through the old Denzel Washington movie, which I wish had spawned a few sequels).  I've done a ton of drawings of his friend, Raymond "Mouse" Alexander, but I haven't been happy with any of them.  It's a difficult line with him, trying to find that happy medium between cartoonish monstrosity (he's a terrifying dresser and a terrifying person) and believable representation.  Someday, maybe.  Anyway, here's Easy.



The original art for this one is available for sale.  8.5x11," ink on 80# stock, shipped the Tuesday after purchase.  First come, first serve.

Pick the cost based on your location

Western Comics Class

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This Wednesday the first issue of the Comixology-exclusive western comics anthology becomes available from Monkeybrain Comics!

Series Cover art by Nick Zamudio


The series is called REAL WEST, and the first story is written by John Arcudi (BPRD, A God Somewhere, The Mask) and drawn by A.C. Zamudio.  And it's pretty great.

Art by A.C. Zamudio

The anthology came about as a means by which to get a class that I really wanted to make happen become possible, from an administrative standpoint.  I figured that if I could show a viable publishing outlet for work created in the class that it would make it in the school's best interest to approve the new course.  My original desire was to create a "Genre Comics" class that could be put into the curriculum and altered depending on who taught it and the desire of the students.  This first go 'round would be western, but you could do science fiction comics, crime comics, horror comics.  Treat the class as a framework for a study of the genre in its larger scope and a means by which to exhaustively study the visual components that are a necessity of that genre, and learn to draw them well.

That ended up not being the case.  The course did get approved, but as Western comics specifically, and as a special topic.  I'm including the syllabus here, though, in case any teachers out there want to adapt it to their purposes.  Or use it as is, if you're a western buff.




As you can see, we did our best to cover a lot of stuff.  It was a small class and the students were informed at its onset of the crazy workload that it would entail.  

We watched a lot of movies (not in class, but often the students would team up for viewings), each one chosen as an indicator of changes in the view of the west as a reflection of the times in which the film was produced.  We also visited museums, a cowboy festival, what we thought was a Civil War museum but was actually just a really, really racist store... it was a really travel-heavy course.

We went horseback riding and did some from-life drawings...

Liz Enright pets one of the artists' models while Rory Morris watches another

Melody Ledford waits her turn to ride while Chris Malone finishes his trot

Liz sketching
Kit, Maria, and Liz listen to Brian as Melody draws

Nick and A.C. Zamudio watch the riders

...in order to have enough mental ammo to do the horses assignment.



Actually, there were lots of assignments like this.  The stagecoach:



Clothing:

Weapons:
Designs by A.C Zamudio

Etc, etc, etc.  My personal favorite activity was the quick-draw tournament.  Now, before you freak out, I cleared this with security, we were in a closed-off space, and we had a big sign on the door that said something to the effect of "if you open this door and see firearms, don't be alarmed, they're not real, they're for class, etc." Anyway, I wanted the students to realize how darn hard it is to actually draw and shoot anything under any sort of pressure, so I made some holsters to fit single-action airsoft revolvers and we did a lesson, some target shooting, and a single-elimination tournament.  


I had a great time teaching the class, and I feel like we successfully covered a lot of ground.  My hope is that the immersive nature of it gave the students a good grounding in approaching other time periods and genres in the future, and I had a heck of a great time.  I'll post some of my lecture images at some point, but I have to find them first.

Anyway, for their final project, the students did comics for the REAL WEST anthology.  Some of them were written by existing comics writers (John Arcudi, Gregg Taylor, Kevin Church), and some were written by the students themselves.  Don't think this is student-quality work, though.  These guys are pros.

You can subscribe to REAL WEST, and doing so will go a very, very small way to helping these students pay off this and their other classes.  So give these comics a shot, and note the names.  Theses guys are gonna be big news in a few years.






Character-a-Day: The Creature From The Dark Lagoon

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It's the first day of fall, and it feels like it.  It's breezy, and the outside door in my studio is wide open.  Penny has a pumpkin, my fridge is stocked with seasonal brew, and my favorite holiday - Halloween - is just around the corner.

And given that it's now officially the season, I figured I'd do a few monster characters.  I figured I'd start with a lake monster, which has always been one of my very favorite types of monsters, mostly 'cause I spent so much time on lakes growing up.

Black ink on paper


The original art for this one is available for sale.  8.5x11," ink on 80# stock, shipped the Tuesday after purchase.  First come, first serve.
SOLD!

Character-a-Day: The Mummy

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Today's character is the Mummy!  As a kid, I was fascinated by mummies, both the legit archeological ones and those of the horror-movie variety.  The idea of archeology is (thanks to Indiana Jones and co.) so intertwined with exotic adventure that I've never been able to look at mummies as genuine horror; they've always rather been a component of pulpy adventure.  Even so, Halloween ain't Halloween without a mummy or two.  So here y'go!



The original art for this one is available for sale.
SOLD!

Character-a-Day: Witch

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Of all the staple Halloween movies, the one that never got a standardized Universal Monster iconic status was the Witch.  Too bad!  I guess the Wizard of Oz counts - we do have a stock icon version that stems directly from that.  So I guess I shouldn't complain.  Anyway, here's my version!



The original art for this one is available for sale.
SOLD!

Character-a-Day: Frankenstein

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Here's one of the big favorites, Frankenstein's monster!

When I was a young man and still dividing my energies between a variety of disciplines, I did quite a bit of theater, and once had occasion to play Victor Frankenstein.  Trivia!



The original art for this one is available for sale.  8.5x11," ink on 80# stock, shipped the Tuesday after purchase.  First come, first serve.
SOLD!

Character-a-Day: Space Alien

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Today's character is a space alien!  Not an alien monster, which is something else entirely, at least in my mind, and not a martian, 'cause those guys have skull faces a la Mars Attacks.  Just your regular alien visitor with a gun that freezes or disintegrates or shrinks you.



The original art for this one is available for sale.  8.5x11," ink on 80# stock, shipped the Tuesday after purchase.  First come, first serve.

Pick the cost based on your location

Character-a-Day: Witch Doctor!

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Today's character is a witch doctor.  I love old tribal masks - an affection probably wrought in no small part from the many Alex Toth-designed mask-inspired aliens and monsters that were on most every action/adventure Hanna Barbara cartoon that I watched on USA as a kid - and I wanted to use one for this guy.  Also, I've decided that I'm going to do a total of thirteen of these Halloween/scary story characters, and have 'em as little craft sets for Trick-or-Treaters.


The original art for this one is available for sale.  8.5x11," ink on 80# stock, shipped the Tuesday after purchase.  First come, first serve.

Pick the cost based on your location

Character-a-Day: Gremlins!

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Today's character is actually two of 'em: Gremlins!  I wanted to hearken back to their roots as mechanical mischief makers in the WWII Pacific theater, so their flat horn crests and long flappy ears are meant to evoke aviator cap flaps and goggles.

My favorite joke ever on 3rd Rock from the Sun was when William Shatner guest-starred as an alien.  John Lithgow asked him how his flight was, and Shatner replied "Terrible!  There was a creature on the wing, and no one would believe me!" John Lithgow replied "The same thing happened to me!" The joke being that Lithgow reprised Shatner's role as the Gremlin-glimpsing passenger in the movie remake of "Nightmare at 20,000 Feet."


The original art for this one is available for sale.  8.5x11," ink on 80# stock, shipped the Tuesday after purchase.  First come, first serve.

Pick the cost based on your location

Character-a-Day: Wolfman!

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Here's a wolfman.  This guy took a few drafts.  I wanted to try and find the middlest balance between wolf and human.  When I was younger, I always gravitated towards the more straight-up-wolf's-head on muscular fore-and-aft body, but that design died with things like Van Helsing and Underworld.  Anyway, this is what I came up with.



The original art for this one is available for sale.  8.5x11," ink on 80# stock, shipped the Tuesday after purchase.  First come, first serve.
SOLD!

Character-a-Day: The Golem!

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Today's Halloween character is a golem (without the scale of other figures, it's tough to tell that his feet are standard human size but the rest of him is bigger.  There are a lot of golem stories, but the most famous is the tale of the Golem of Prague.  Created by a Rabbi, the Golem was man made of river clay who was brought to life to protect the Jewish ghetto from anti-Semitic attacks in the late 1500s.  The Golem ended up falling in love with a human woman and went on a rampage.  From giant robot protector to godzilla, all for love.

The golem couldn't speak, so I left off a mouth.  Thought that a bit crueler.  Most artificial man stories (like this, Frankenstein, and especially The Island of Doctor Moreau) seem to be a critique of an inherent cruelty of God as a creator, creating beings whose behavior is naturally contrary to that upon which He insists, and punishing those creations for succumbing to the very nature He instilled in them.  The Golem, of course, doesn't make it.  Still a fun monster, and one I'd like to see used more!



The original art for this one is available for sale.  8.5x11," ink on 80# stock, shipped the Tuesday after purchase.  First come, first serve.

Pick the cost based on your location

Character-a-Day: Mad Scientist

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Today's character is a Mad Scientist, in the Vincent Price vein.



The original art for this one is available for sale.
SOLD!

Character-a-Day: Count Dracula

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Today's character is Count Dracula.  I tried penciling him dozens of times with his arm up behind a cape, wearing a top hat, and it just didn't fly.  So here's the old, tired standard of upper crust Transylvanian garb with a Vlad Tepes hat.  I like this version better, but I wish I could've made the top hat work.  Maybe NEXT halloween!



The original art for this one is available for sale.  8.5x11," ink on 80# stock, shipped the Tuesday after purchase.  First come, first serve.
SOLD!

Character-a-Day: Scarecrow

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Today's Halloween character is a scarecrow.

October meant a lot of things for me as a kid, but one of my favorites was that we'd get to play cornfield tag.  I grew up in a very rural farming community, and many of the houses in which we lived were close to cornfields, sometimes butting right up against them.  There are few games more terrifying or exhilarating than cornfield tag, in which kids run around near blind, unsure as to whether or not their pursuer was inches from them, separated from view by a wall of crop.  Sometimes the person who was "it" would just sit and wait for someone to run into their row.  And there was the perpetual terror of getting lost forever, the certainty that you should have hit the edge of the field by now, and that maybe you'd gotten turned around.

If any of us had ever seen a scarecrow in there, we'd likely have wet our pants.



The original art for this one is available for sale.
SOLD!
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